COSTUME COLLOQUIUM II: ABITO PER IL BALLO
Firenze, 3-7 Novembre2010
Programma Preliminare Giornaliero delle Sessioni e degli Eventi*
(*soggetto a variazioni e aggiornamenti)
3 NOVEMBRE - MERCOLEDI'
• Pomeriggio (Auditorium al Duomo): Registrazione dei partecipanti seguita da cocktail di benvenuto.
4 NOVEMBRE - GIOVEDI'
• Mattina (Auditorium al Duomo):
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Cerimonia d'Apertura |
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Introduzione: Carlo Sisi ( Storico dell'Arte, Firenze, Italia) |
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Sessione I: La Storia del Costume da Ballo per le performance professionali: teatro, balletto, cinema ecc.)
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- Marilyn Revell DeLong (Professor of Apparel Studies and Associate Dean for Research and Outreach, University of Minnesota, USA) - Fashionable Dress and Popular Dance in 1930s Hollywood |
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- Aurora Fiorentini (Professor of Fashion and Dress, Università di Firenze, Florence, Italy) - The ‘Haute Couture’ Dancing Dress in the Cinema of the Fifties and the Sixties. The Exemplar Case of Hubert de Givenchy: from “Sabrina” (1954) to “Breakfast at Tiffany’s” (1961) |
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Discussione
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Coffee Break |
Sessione II: Rievocazione di balli storici: l’armonia fra il costume, i passi e le movenze della danza
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- Jackie Marshall-Ward (Researcher, Performer, Teacher and Director of Dance Royal and Hands on History, UK) - Dance for Dress or Dress for Dance: Clothing or Costume? |
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- Jamia Hansen-Murray (Dancer/Costume Designer Seattle, USA) - 18th Century Gowns for the 21st Century Dancer: Practical Experience in Costuming Baroque Dancers
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- Barbara Menard Pugliese (Dance Historian and Director, Commonwealth Vintage Dancers, Boston, USA) - Recreating the Nineteenth Century Ballroom |
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- Christina Bates (Curator of Social History, Canadian Museum of Civilization, Gatineau, Canada) - Right Brain, Left Brain: An Historian Researches and Performs Dance and Dress of Early Canada |
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Discussion/Discussione |
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Coffee Break |
• Pomeriggio (Auditorium al Duomo):
Sessione II: La documentazione del Costume per il Ballo: gli abiti come documenti e i documenti degli abiti
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- Portia Ungley (PhD Candidate, Kingston University, Kingston, UK)
Visual Culture through the Costumes of Léon Bakst
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- John Hoenig (Theatre and Event Director, Renaissance Scholar, Florence, Italy) - A Talent to Amaze - Bernardo Buontalenti’s Costume Designs for the Intermedi of 1589 |
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- Helena Kazárová (Researcher/Choreographer of 17th-18th Century Dance and Associate Professor of Dance and Ballet History and Aesthetics, Academy of Performing Arts in Prague, Czech Republic) - Dance and Time: Costumes for Dance in Ceský Krumlov Baroque Theatre Collection |
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- Corinne Thépaut-Cabasset (Researcher of History and Art History at Versailles Palace, France ) - Dance Shopping in Paris in the Late 17th Century: Princely Dress for Dance in the European Courts |
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Discussione |
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Presentation of the Palazzo Strozzi Foundation /Presentazione della Fondazione Palazzo Strozzi |
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Visita esclusiva alla mostra 'Bronzino, Artista e Poeta'; cocktail a Palazzo Strozzi
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5 NOVEMBRE - VENERDI'
• Mattina (Auditorium al Duomo):
Sessione IV: Abiti e danza come espressione culturale, cerimoniale e personale: danze popolari e tradizionali e i loro costumi nel mondo
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- Donatella Lippi (Associate Professor of the History of Medicine, Università di Firenze, Florence, Italy) - Dance and Therapeutic Knots
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- Sara Piccolo Paci (Costume Historian & Anthropologist, Professor, Fashion Institute of Technology, Florence, Italy) - Dressing for the Last Ball: the Obscure Side of Dance – from the Totentanz to Thriller |
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- Anna Maria Colombo (Scienza e Cultura delle Alpi, Università di Torino, Turin, Italy)
Costume and Traditional Dance in the Communities of Western Alps |
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- Chanel Clarke (Curator of the Maori Collection, Auckland Museum, New Zealand)
From Flax Fibre to Spandex Tights: The Evolution of Maori Costume for Dance |
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- Khadijah Lakkis (Conference Manager, Arab Administrative Development Organization, the League of Arab States., Cairo and Board Member, the Museum of Baalbeck International Festival, Lebanon) - The Cultural Expressions of Costumes of the Lebanese Dance |
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Discussione |
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Coffee Break |
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- Alexandra Kajdanska (Dance Teacher & Costume Historian, Gdansk-Oliwa, Poland)
Dance Costume in Yunnan: From Ritual Dance to the Modern Dance Drama |
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- Vandana Bhandari (Professor of Fashion and Textiles, National Institute of Fashion Technology, New Delhi, India), Kapoor Kiran (Senior Lecturer, National Institute of Fashion Technology, New Delhi, India) & Rastogi Deepali (Senior Lecturer, National Institute of Fashion Technology, New Delhi, India) - Traditional and Ceremonial Dance Costumes: Imaging Cultural Beliefs, Practices and Identities |
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Presentazione della Fondazione Cerratelli |
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• Pomeriggio (Auditorium al Duomo):
Sessione V: La creazione dei costumi: stilisti, artisti, artigiani, sarti utilizzando materiali e tecniche tradizionali, sperimentali e contemporanei
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- Joseph Fontano (Choreographer & President of World Dance Alliance Europe in cooperation with ITI/UNESCO, Rome, Italy) - Dancing within Ready Made Materials |
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- Jennifer Irwin (Costume Designer, Sidney, Australia) - Designing for Contemporary Indigenous Dance in Australia: Bangarra Dance Theatre |
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- Mimi Maxmen (Costume Designer, New York City, USA) & Holly Hynes (Costume Designer and Consultant (George Balanchine Trust and Jerome Robbins Estate) and Emeritus Director of Costumes, the New York City Ballet, New York, USA) “See the Music. Hear the Dance”: Examining the process of the art of creating original dance costumes from the flat sketch to the three-dimensional garment |
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- Fiona Reilly (Costume Designer, Academic & Historian, National Institute of Dramatic Arts, Sydney, Australia) – Dance Costume as an Expression of Culture: the Co-existence and Merging of European and Aboriginal Inspired Dance Costume in Australia |
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Discussione |
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Visita esclusiva e ricevimento (dettagli da definire) |
6 NOVEMBRE - SABATO
• Mattina (Auditorium al Duomo):
Sessione VI: Abiti da ballo nei musei e negli archivi: documenti, costumi esistenti, conservazione e tecniche di allestimento
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- Maria Paola Ruffino (Curator, Palazzo Madama – Museo Civico d’Arte Antica di Torino, Turin, Italy) & Thessy Schoenholzer Nichols (Adjunct Professor of Costume Studies and Design Polimoda, Florence, Italy) A Seventeenth Century Doublet “for Dance” from the House of Savoy
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- Cynthea Dowling (Costume Mounting & Display Specialist, Victoria & Albert Museum, London, UK) & Sam Gatley (Textile Display Specialist, Victoria & Albert Museum, London, UK) Dressing for the Ballet: Displaying Costume from the Ballet Russes |
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- Lynda Hillyer (Senior Textile Conservator, Victoria & Albert Museum, London, UK)
The Queen of Oudh and the Nautch Dancers of 19th Century India |
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- Hilary Davidson (Curator of Fashion and Decorative Arts, Museum of London, London, UK)
Flying Dancers, Dying Swans and Soho Dives: Dance Costumes at Museum of London |
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- Hector Manuel Meneses Lozano (Textile Conservator, Museo Textil de Oaxaca, Oaxaca, Mexico) - The Zagalejo: a Skirt that Sparkles with Grace |
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- Nina Tarasova (Curator of Costume, The State Hermitage Museum, St. Petersburg, Russia)
Dress-code of the Russian Court: Costumes for Balls and Masquerades at the State Hermitage Museum |
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Discussione |
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Coffee Break |
Sessione VII: Moda e ballo popolare: relazione fra nuovi stili di danza e abiti alla moda, passato e presente
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- Susannah Worth (Costume Researcher and Consultant, Worth Consulting, Inc., Miami Beach, USA) - Why Fanny Elssler’s Florinda Costume Still Matters
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- Brandin Barón-Nusbaum (Professor of Design and Design History, University of California, Santa Cruz, USA) - Camargo as Fashion Muse |
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- Katarina Nina Simoncic (Assistant professor of Clothing Design and Textiles, University of Zagreb, Croatia) - Croatian Dance Costume in the 19th Century: Symbol of Social and Political Changes in Zagreb |
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Discussione |
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Coffee Break |
• Pomeriggio (Auditorium al Duomo):
Sessione VIII: Abito per il Ballo e interpretazione artistica: loro reciproca relazione
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- Gillion Carrara (Adjunct Professor and Director, the Fashion Resource Centre, The School of the Art Institute of Chicago, USA) - Soundsuits - Nick Cave in Dance
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- Tamara Tomic-Vajagic (PhD Candidate, Roehampton University, London - Visual Artist and Dance Historian/Writer, Belgrade, Serbia) - The Emergence of Leotard Ballets and the Aesthetics of Practice-Clothes in Twentieth Century Dance |
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- Caroline O’Brien (PhD candidate in Visual Culture, The National College of Art, Dublin, Ireland, Costume Designer and Associate Professor in Theatre School at Ryerson University, Toronto, Canada) - Intimate pas de deux: the Prima Ballerina and the Classical Tutu |
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Discussione |
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Presentazione del Museo Casa Martelli |
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Tea Break |
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Visita esclusiva e ricevimento (dettagli da definire) |
7 NOVEMBRE - DOMENICA
• Mattina (Auditorium al Duomo):
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Brief Communications |
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Presentazione del Post Conference Tour a Siena
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Introduzione del Costume Colloquium III (2012) |
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Cerimonia di Chiusura |
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Farewell Brunch |
| • Pomeriggio (Auditorium al Duomo): |
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Partenza per il Post Conference Tour a Siena - Visite esclusive e ricevimento (in collaborazione con il Comune di Siena, Musei Civici e una Contrada) |
Quote Iscrizione
Prenotazioni Alberghiere
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